http://youtube.com/watch?v=uMu9XO95JsI
男人KTV
主唱：側田
作曲：胡彥斌
填詞：甄健強
每次當苦惱失意
漆黑的K房裡 圍住
喉嚨呼出 每個生字
這歌詞 原來碰倒他痛苦處
＊要吐苦水也許我不願意
瀟灑分手裝作太輕易
然而啤酒 仍苦得相當諷刺
讓我關門 利用咪高峰哭喊幾次
沒有歌 怎敢說心事
受了傷 始終怕別人知
我和你吻別 在無人的街
張學友唱出我的情節
沒有歌 怎敢說心事
受了傷 點首更絕情詩 (始終怕別人知)
你的背包 讓我走的好緩慢
陳奕迅那首歌 是唱得他自己
沒有歌 做人
只懂苦唱怎去遮風避雨
REPEAT＊
**** 又有一首动听的歌, "要吐苦水也許我不願意,瀟灑分手裝作太輕易,然而啤酒 仍苦得相當諷刺,讓我關門 利用咪高峰哭喊幾次.." ***
人吵架的時候，什麼最重要？
驕傲？
自尊？
面子？
輸贏？
這些都不重要，最重要的仍然是你心愛的那個人。 最重要的仍然是你們這份得來不易的感情。
本來在愛情裡，不管是爭執或衝突，只要最後能够協調、能化解就好了，哪有什麼贏者或輸家。 真要爭誰贏誰輸，誰有面子誰又低聲下氣，最後賠上的只是這份感情，誰也沒贏。
~~ 實際上，是兩敗俱傷 ~~
你有沒有想過，爭吵的目的是為什麼呢？
其實，不是單純的為了道理、講理，而是對方不肯讓你，男生女生亦然，因此爭吵到了最後，其實早已偏離主題，而是為了賭一口氣吧了。
好大的一口氣，代價不貲。和好的時候，才體認出那些，淚也白流了，氣也白生了，是何必？還是活該？
人生氣的時候，什麼狠絕的話都說的出來，什麼惡毒的事也做的出來。
但是，有些情人生氣的時候，也必定保有溫暖的情懷，就要看妳了！看不看得出來，就看妳了不了解他/她、信不信任他/她了。
生氣時不說氣話也不做惡事，真的很難，但起碼要學會退而求其次，懂得從中去感受回，原本就存在於兩人間的情意。
不消太多腦力，其實只要用一點心，有愛情的時候，其實什麼都好談，但一般人不易發現，也不太會利用這個道理。
希望每個人都能珍惜自己所擁有的情緣, ，不一定是愛情
記得有一句話：世界上有千萬種藥,就是沒有後悔的藥
真的！後悔也沒有用了
Naraka 19 (2007)
Starring: Bonnie Sin, TinYou Chun, Patrick Tam, Shaun Tam, Shuan Tam
[full cast]
Directed by: Carol Lai, Mark Palansky
Next time, please dont watch any Carol Lai directed movie, it really sucks. From the beginning till the end, dun even know whts tht movie talking about.. inside the cinema, no matter guys or gals, all fall asleep.. i really cant take it …really waste money to c this movie.. haha..:P this most thanks to Marco, who recommended the movie.. he said this movie is very nice.. Ya, after watched the movie, he also said very nice.. haha.. but just the poster outside the cinema… really KNS…
When the movie finished, all audiences "K" the movie DAMN SUCKS.. 
Review 1
If you are wondering why this Hong Kong Cantonese production has a Malay title, it is because the plot is about a mobile phone game called ‘Naraka 19 - The 19th Gate Of Hell’. The story is adapted from a best-selling Chinese novel written by Choi Tsun. The novel has reportedly sold more than two million copies in China over the last two years and has now been translated into many languages for distribution worldwide.
No, I haven’t read the book but if this movie is anything to go by, you won’t find people queueing up at the book stores like they did for the Harry Potter editions. Also, those who are excited by Gillian Chung’s name in the cast, let me clarify that the famous Hong Kong singer-turned-actress has only a one-minute cameo in the movie. Watching "Naraka 19" is like being trapped in the 19th level of Hell…
The movie follows four female students - Rain, Mandy, Eva and Violet - as they move into their dorm on the first day at the university. However, instead of preparing for their studies, the girls are more preoccupied with sending SMS on their mobile phones. One night, Rain receives a text message from Eva, asking her to meet at an abandoned building. For some unknown reason, Eva wants Rain to take her picture at the building, believed to be haunted by the ghost of a girl who had committed suicide there.
The next day, Rain watches in horror as Eva kills herself in a most gruesome and painful manner. When a police officer arrives to investigate the case, Rain discovers a cryptic message, ‘Game Over’, on Eva’s mobile. Yes, she has been playing the deadly game on her phone - and soon the other girls, including Rain herself, are ‘forced’ to play too. Are they really victims of the game? Or does the sinister-looking Professor Yim have anything to do with the deaths?
According to Chinese folklore, hell has 18 levels - each for a particular sin. Can this so-called 19th level be specially created for those who fiddle obsessively with their mobile phones? Or is it for those who have nothing better to do than watch this amateurish production? That is what it feels like, with its unheard-of cast that seems unsure of their roles, and a story that drifts aimlessly in search of a plot. Indeed, there are some above-average CGI scenes of Hell, especially the one in which hands protrude from walls, clasping at their victim. However, for the most part of the movie, director Carol Lai opts for cliches - like dripping faucets and loud music - to grate our nerves. Some of her attempts are more funny than scary.
Is there a ‘pay-off’ for all our tolerance of this pseudo-horror? Maybe, if you consider the cameo by Gillian Chung at the end of the movie a reward. Others may call it ‘fraud’.
